Gamelan: Cultural Interaction and Musical Development in Central Java (Chicago Studies in Ethnomusicology)

Gamelan: Cultural Interaction and Musical Development in Central Java (Chicago Studies in Ethnomusicology)
\n\n

Gamelan: Cultural Interaction and Musical Development in Central Java (Chicago Studies in Ethnomusicology) Description

\n\n

Gamelan is the 1st study of the music of Java and development of the gamelan to take into account extensive historical sources and contemporary cultural theory and criticism. A set of instruments dominated by bronze percussion instruments that date back to the twelfth century in Java, the gamelan as a musical organization mirrors and a kind of performance, a heritage that is the result of centuries of interaction between Hindus, Muslims, European Chinese and Malay cultural forces.
Drawing on sources ranging from a twelfth-century royal poem to the writing of a nationalism of the twentieth century, showing how the Indian-inspired contexts Sumarsam and ideology of Javanese arts scene very first adjusted to the Sufi tradition and later shaped by European performance styles in the eighteenth and nineteenth centuries. He then turns to the theory and practice of gamelan accounts of colonial and postcolonial periods. Finally, he presents his own theory of gamelan, stressing Gamelan: Cultural Interaction and Musical Development in Central Java (Chicago Studies in Ethnomusicology)

\n\nGamelan: Cultural Interaction and Musical Development in Central Java (Chicago Studies in Ethnomusicology) Ebook

Leave a comment